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The Urban Music Scene: Reviews

Our Review of The MAJIC 102 Juneteenth Summer Jam - 2009 feat. Najee, Atlantic Starr & Tone, Toni, Tony

THE MAJIC 102 JUNETEENTH SUMMER JAM | 2009

(Our cat Marvin D. was on the traveling scheme of things near Houston, TX for this special event! Here's his take for the T.U.M.S. readers out there!!)

It was a hot day, temp was about 105 degrees and The Majic 102 Juneteenth Summer Jam was about to happen with guest artists Najee, Atlantic Starr and Tone, Toni, Tony.

I arrived in style with local singer, actress and drama teacher Andrea. B, who was equally excited to be going to this festive occasion. When we arrived, Najee was on stage and man, I’m trying to get backstage! But since I didn’t have a VIP wristband, I didn’t have access. That's ok though, Najee was the opening act & he THREW DOWN! About that time, a beautiful breeze was coming through and it felt good. And yes...the crowd was grooving to the sounds of Najee!


(Photos courtesy of Andrea B.)

Najee had a lot of crowd participation going on with “Betcha Don't Know” and his freestyle sax playing. He also had put on an excellent and exciting show! I was able to catch up with him after the show and take this memorable picture...


(left to right) C. Wilson, Najee, & Marv D. of The Urban Music Scene
(Photo Courtesy of Andrea B.)

In between set changes, the local radio station personalities introduced themselves to the crowd and held contests etc..etc...etc. They played old school music too! The crowd was relaxed and the anticipation was building for the illustrious R&B group Atlantic Starr.


(Photos courtesy of Andrea B.) 

I’ve always been a fan of Atlantic Starr from their first album with the slow jam “With You Love I Come Alive”, to their last album “Legacy” and with Sharon Bryant, Wayne and David Lewis, as lead vocalist, nothing was to follow was a string of hits.

When Atlantic Starr hit the stage,I think everybody was expecting either Sharon Bryant, or Barbara Weathers, and David Lewis. It was Wayne Lewis and Jonathan Lewis (the only originals left) on the keyboards. The young lady singing was named Aisha and to my surprise she sounded almost like Sharon Bryant. They started off with the classic, “Silver Shadows". After that, they went right into “When Love Calls”. Atlantic Starr slowed the pace down a little bit and taking David’s place was Timothy a.k.a. Scribby. Andrea pointed out to me that this must have been his first concert, cause he was kind of nervous & didn’t know the steps too well. He did a good job though! After the classic slow jams, they hit it off with “Circles" & "Touch A Four Leaf Clover”.... then slow edit down with “Send For Me", and "Always”. A lot of people were wondering what happened to David Lewis when Wayne said he is no longer with us (or maybe we mis-understood what he was saying). Atlantic Starr did great! I caught up with Wayne Lewis later on and asked him if a new Atlantic Starr cd was coming out. He said, “Yes, sometime this fall.”

Can’t wait to hear it!  For those fans wondering what happened to David Lewis, please check out the link  http://web.mac.com/davidmarianlewis/Site/Who_We_Are.html.


(left to right) Timothy, Aisha, Wayne Lewis, Jonathan Lewis far left not pictured.
(Photo courtesy of Andrea B.)

The radio personalities came out once again and introduced themselves, but this time they had a special Majic 102 old school mix that was off the chain!! It had everybody dancing in the aisles, up on the hill....just about everywhere.

The temperature had gone down from 105 to 97 degrees and we had a wonderful breeze, but it was about to get heated up again as soon as T.T.T (Tone, Toni, Tony) came on stage. T.T.T came out and rocked the house for at least two hours and did all their songs except “Little Walter" & "If I Had No Loot”. If that wasn’t good enough, this is where the concert got turned out. Dwayne Wiggins introduced his 12 year old son Dillon on keyboards, and 13 year old god-son (forgot his name) on drums. For 5 minutes, just those two kids tore it up! Dillon played like he has been playing for years (more than 12). He went from jazz straight into classical and back. The young drummer tore it up too, though he was playing playing drums along side Timothy Riley all night and did not miss a beat. (I tried to get pictures but the stage lights were too bright). Raphael’s voice was strong and clear as ever before. I applaud Raphael! I thought he might do some solo stuff, but he didn’t. It was all about T.T.T. that night. Dwayne said it has been over 10 years since T.T.T had released a cd, but gave no indication if one was in the making. T.T.T did their thing and the future of music was onstage last night. Look out for these two young artists.

                                                               
All and all this was a very good concert series! I had a good time even though it was kind of hot. But the breeze took care of that.

I would like to thank Terrill Hanna of www.theurbanmusicscene.com, Najee and Andrea. B for hanging out with me.

Marv D

The Urban Music Scene.

Posted by Administration at 7/3/2009 2:10 PM | Add Comment

Melinda Watts | People Get Ready


Melinda Watts - People Get Ready

(Album Available July 28th, 2009!!)

Track Listing:
1. Say Yes
2. So Good
3. There Will Come A Day
4. Try Again
5. Available To You - feat. J. Moss
6. Come Boldly
7. Happy
8. Faith That Conquers
9. People Get Ready
10. Purpose Driven Life

"People Get Ready" for Melinda Watts, the Gospel Dream 2008 Winner! Here's to another great show that showcases the undiscovered talents of everyday people.

What a powerful CD! It's dynamic, inspirational and uplifting. While you're enjoying the up-tempo tracks, Say Yes, Happy and People Get Ready, you're also receiving a deep spiritual message.

There Will Come A Day, Available To You - feat. J. Moss and People Get Ready, are just a few of my favorite songs on this CD. All the tracks are phenomenal. They will definitely move you and touch your soul in more ways than one. However, There Will Come A Day is so powerful that it moved me to tears. For example, There's a part in the song where she says "There's a better place, where our father waits and every tear, he'll wipe away, the darkness will be gone, the weak shall be strong, hold on to your faith, there will come a day". ALRIGHT!!

The duet with J. Moss on Available To You is outstanding! J. Moss is doing his thing while complimenting the beautiful vocals of Melinda. The song is very personal and passionate. You can feel the love and praise pouring out onto the tracks as they ask God to use them to show others the way. She came bold with Come Boldly. Melinda lets you know that nothing will keep her from Jesus. This reminds me of the movie The Color Purple when Mister throws Nettie out of his house, and she screams out, "Nothing But Death Will Keep Me From Her!" That was powerful and heart felt and so is this track.

Melinda's contemporary style and unique vocals has a steady flow that allows you to really get into her spirit and into her music. This CD is phenomenal and well put together. I can't stop playing it. It's that good!!

Shellie A.
The Urban Music Scene

Posted by Administration at 7/2/2009 6:47 PM | View Comments (1) | Add Comment

Calvin Richardson | Facts of Life: The Soul Of Bobby Womack



(Album coming Aug. 25th, 2009!!)

There's something unique that draws me to the voice of young Calvin Richardson. Could it be that one of his biggest strengths is his ability to 'bring it' vocally from the soul? Is it the choice that he made in striving to continue uplifting the spiritual aspect of Traditional R&B/Soul music for today's listeners? Or is it how tasteful & polished some of his recent work has shined on us, how consistent he remains to be with it & a determination to keep it real by all those standards it requires?

Calvin's 4th album, "Facts Of Life: The Soul of Bobby Womack" from Shanachie Entertainment, ranks way up there on the richter scale, amongst one of the most soulful projects to come out of the gate this year of '09. A great selection of solid interpretations, as well as a strong supporting team of musicians, background vocalists & an exceptional production work from Tres Gilbert for 3rd World Music will have many of you startled from the first drop of the opening track, right on down to the last. A young man who admired the great attributes & legacy Mr. Womack had left on the music of Soul, may have outdid himself for this piece.

Track Listing:
~ Across 110th Street
~ You're Welcome, Stop On By
~ Harry Hippie
~ Woman's Got To Have It
~ American Dream
~ Daylight
~ That's The Way I Feel About Cha'
~ Love Has Finally Come At Last
~ I Can Understand It
~ I'm Through Trying To Prove My Love To You
~ Fact Of Life/He'll Be There When The Sun Goes Down

As Calvin engages the starting track "Across 110th Street", a well known classic, the absolutely, rhythm & blues fueled composition will have you flash backing in a hurry. Especially with the street canny philosophies shared in the lyrics. He does it again for "You're Welcome, Stop On By". For a minute, I'm quite sure Mr. Womack's influence slowly but surely begins to resonate the entire mood & energy the album is set to present. The power of soul-music is definitely about to be reached after getting a taste of "Harry Hippie", "American Dream" & "Daylight".

"Woman's Got To Have It" was always my #1 cut from the old school Bobby Womack CD Collection. The cover was handled with care, grace, & confidence. A full steaming strut of soul music that flows effortlessly through the speakers. It gets the honorable "*" for instant playback.

The bluesy, unshakable "That's The Way I Feel About Cha'" highlights Calvin's deeply textured vocal skills with ease, all the while I started to slowly but surely give more attention & respect to the ensemble of musicians participating on these tracks! The live band effect was working tremendously on this project & was providing the strong foundation Calvin needed to approach this effort 1st class. From the stretch of the Violin by Charles Gray...to...the tickle of the Fender Rhodes by Justin Gilbert. Right on down to the Sax, Trombone, Bass Guitar, Trumpet, Clavinet, Drums & Vocal arrangements. The pure essence of a full pledge band on the scene, folks, shook me!

Who can't say enough about Gospel powerhouse vocalist Ann Nesby? Well, you'll have plenty more to say about her when she joins Calvin for "Love Has Finally Come At Last". And trust me folks, I don't have to say a thang about it. It's ALL GOOD.

I am issuing a 'go get it' pass to you readers out there, always on the hunt/search for some deep down textured, traditional R&B Music - chillin' steady out there on a record shelf or on line music retailers' sites. Be careful not to rotate this one too much though, 'cause you'll wear it out. I believe Calvin came to play, to sing & have a great time. And you will FEEL it throughout the productions & arrangements. It's one of Calvin Richardson's finest work.

Terrill Hanna
The Urban Music Scene

Posted by Administration at 7/2/2009 10:49 AM | Add Comment

Will Downing | Classique



Will Downing - Classique

Sometimes a glass of sweet soul music from back in the day can still hit the spot even as many of today's top-charting urban tracks are filled with high-tech, auto-tuned vocals and rap-saturated sexual innuendos.  There are also the soul troubadours like Will Downing, who is surely appreciated by his faithful fans and the neo-soul connoisseur for remaining true to his classy soulful craft for over twenty years strong.   Unfortunately, the radio exposure for his contemporary jazz/R&B flavor has surely subsided through the years. "They only play it at night, and then I do not get the radio and listener play that could be possible," Downing told Ebony Man back in 1998.  Yet his following remains stronger than ever because of many rock-solid musical assets. 

His creamy baritone voice melts in the ear with plenty of romantic odes.  He can throw down with some jazzier upbeat jams.  Finally, he has an innate ability to balance both new compositions and soul music from the archives.  In fact, some of his significant hits are highly-recognizable R&B and jazz covers: "Stop Look Listen To Your Heart" (The Stylistics); "Free" (Deniece Williams); "Wishing On A Star" (Rose Royce); "I Try" (Angela Bofill); and the standard jazz torch song "When Sunny Gets Blue".  The track that got the ball rolling for Downing was "A Love Supreme," a spicy salsa-tinged version of the John Coltrane modern jazz masterpiece that peaked at number four on the Billboard Magazine's Hot Dance Club Play in 1988 from his self-titled debut.

In reaching his destiny as one of the finest sophisticated soul stylists today, as demonstrated on his latest disc Classique, his climb to the top was slow but sure.   His faithfulness in pursuing his dream during his childhood to adjusting with an illness that could have been more devastating than his lack ofradio exposure in the past decade is a testimony to Downing's strong character and musical longevity. 

During his school days, a teacher encouraged Downing to sing with the well-respected Brooklyn (New York) Borough Wide Chorus.  It turned out his parents volunteered him for the program, but Downing never regretted the opportunity.  The singer/songwriter graduated in 1981 from Brooklyn's Erasmus Hall High School, one of the top performing arts schools in the country, whose alumni includes Barbara Streisand and opera legend Beverly Sills.  A fellow class member, Kedar Massenburg, who heads up Kedar Entertainment, nurtured neo-soul singer Erykah Badu. 

After graduating, Downing was an in-demand background vocalist throughout the eighties with R&B greats Kool & The Gang & Stephanie Mills.   There was also the hardcore dance club music persona of Downing who recorded a series of twelve-inch singles under different names.   He was also featured with Wally Jump Jr. & The Criminal Element, a vocal group produced by freestyle electro funk music producer Arthur Baker, who later on linked with DJ/producer Afrika Bambaataa & the British dance/pop group New Order.   Downing then initiated his solo recording phase first as an R&B/pop dance artist on Island Records as his debut disc dropped "A Love Supreme" that drew more love in Europe than in his homeland. 

By his third disc, Downing wanted to stretch his vocal chords and tackle more sophisticated urban music.  The record company differed, yet the creative change in direction on A Dream Fulfilled resulted in Downing's dream coming true with such gems as "I Go Crazy" and "The World Is A Ghetto." The U.S. fan base also started buying his records in bigger droves.  Since that 1991 landmark, Downing has pretty much stuck to his sophisticated urban mix through all the shifting trends in the R&B/soul industry.  He is presently joined in good company with other smooth stylists like Peabo Bryson, Howard Hewitt, Regina Belle and Anita Baker.  Besides the aforementioned cover hits, some of Downing's other calling cards are "Nothing Has Ever Felt Like This" (a duet with the song's composer Rachelle Farrell), "A Million Ways," "Crazy Love" and "When You Need Me" (with Chante Moore).   However, the smooth journey of Downing was interrupted in 2006 by a muscular disorder that could have seriously altered his personal attitude and his professional life.

Downing was able to beat the odds of this disease that has now left him in a wheelchair without impacting his tender baritone.   Classique - his fourteenth disc once again shows off his warm voice with his own compositions and more blasts from the past in a classic R&B way sprinkled with jazz subtleties.  I enjoyed a great deal of this Peak Records release, but I will just give the Urban Music Scene readers some appetizers. 


"Something Special" (see video above) and "Just Think About It" are provided with silky orchestrations and velvety backing vocals that captures the essence of sophisticated soul at its best.  With three pieces from the urban vaults, Downing always manages to match the integrity of the original version, if not sometimes surpass it.  First is Barry White's first hit from 1973 - "I'm Gonna Love You Just A Little More Baby."  Downing does not quite have Barry's vocal grit, but he slips in some delectable scat on this jazz-kissed version towards the end.   "Statue Of  A Fool," a country hit by Jack Green in 1969, was also a sweet soul hit by Motown artist David Ruffin.  Last but never least, the "Blows My Mind" award goes to Phil Perry adds his astounding voice and monumental falsetto for "Baby I'm For Real," a rare gem originally arranged by Marvin Gaye for another Motown act The Originals. 

To sum up Classique, Downing indeed ties a bow to twenty years of unadulterated soul music without any form of compromise to what appeals to most fans today.  For that, may Downing keep on keeping on for his loyal fans despite what any radio station dictates.  Highly Recommended. 

Peggy Oliver
The Urban Music Scene

Posted by Administration at 7/1/2009 5:59 PM | Add Comment

Ginuwine | A Man's Thoughts



For a minute there, I wondered if slow burnin' crooner Ginuwine will ever set out to flow the mic once again, as well as groove the dance floor with moves reminiscent to the late Michael Jackson. His sleek ever apparent looks combining with high quality productions for R&B tracks from over the years always left 'open the door' what chances his career could progress to. Since Ginuwine broke out with chart topper "Pony" from his debut album in '96, many his previous 5 projects couldn't keep the fire lit long enough to know whether or not he was destined to blow down the R&B/Soul door wide open.

But with the release of his 6th deal, "A Man's Thoughts", that may all change. This album contains a great mixture of danceable beats & jams, as well as cascade the ladies & gentlemen with slow cuts reminiscent to traditional ballads of R&B music. I dug the melodies, as well as checked the duets he had with the aforementioned below. What's left is the question of whether or not this project will stick around with us, with sounds appealing enough to be played back well after the release date.

Track Listing:
~ Interlude
~ Show Off
~ Trouble (Feat Bun
~ Last Chance
~ Interlude
~ One Time For Love
~ Open The Door
~ Get Involved (feat Timbaland & Missy Elliot)
~ Orchestra
~ Touch Me
~ Lying To Each Other
~ Even When I'm Mad
~ Bridge To Love (Feat Brandy)
~ Used To Be The One
~ Show Me The Way

The "Interlude" of course, is the norm for a intro to the main course, but then "Show Off" reaches from the back to the front, with a slow entrance to an otherwise upbeat jam. It fades right into the duet with Bun B in "Trouble", a mid-tempo head bopper. "Last Chance" which recently featured the hugely successful movie 'Transformers 2' superstar Tyrese Gibson in the music video blazes the hot spot. So did "Get Involved" feat. Timbaland & Missy Elliot.



However, the CD changes gears & softens up the listening appetite with Ginuwine reminding his fanbase that he stills has it for the quiet storm/slow jammin' dept. with tracks, "One Time For Love", "Open The Door" (See Video Box Above), "Orchestra" & "Touch Me". Of the four mentioned, The "Open The Door" track stayed fresh on my mind in the mist of my review - with the melody, the message & the question: The background vocals sounded like Former lead singer from R&B group Next - R.L.....and I'm sure it was. The overall effect given from the single was on hit & shines bright about the love senses Ginuwine had left on the listener.

Very smooth & sensual, the flow doesn't really let up: "Lying To Each Other", "Show Me The Way", "Even When I'm Mad" & special guest Brandy to "Bridge To Love" easily makes this project out to be a more traditional R&B record rather than a collection of dance jams. Still appealing for today's generation. Good decision on Ginuwine's part to go that route, for I came to this conclusion...

A Good Recommendation. Go get it.

This is one of Ginuwine's finest hours of music in his career spanning a somewhat 13+ years. I really got into the compositions, more so with the slow ones as opposed to the fast. It shows a great deal of maturity as well as exposed the wonderful vocal talent Ginuwine is known for. I hope to see another one of these projects down the road from him...

Terrill Hanna
The Urban Music Scene

Posted by Administration at 7/1/2009 9:41 AM | Add Comment

Najee | Mind Over Matter



Najee - Mind Over Matter

(Coming soon...Aug. 25th, 2009!)

Whether Najee's music is labeled as sophisticated R&B, smooth jazz, or slick pop, his saxophone's melodic quality is fresh as the summer breeze, and he also knows when improvising is in the best interest of the song.  His reputation in contemporary jazz circles still remains indisputable after all these years as being one of the innovators of the ‘rhythm and jazz' movement; a decade after Bob James, Grover Washington, Jr., Stanley Clarke and others set the tone during the jazz fusion era of the seventies.   Since he bowed on the charts in the mid-eighties with Najee's Theme, he has utilized his double-edged jazz and R&B sword that has generated a series of crossover hits and chart-topping albums, a recorded tribute to a Motown R&B genius, and a three year gig with alongside a funk genius.  During this current decade, Najee still knows how to wet the R&B appetite with cool jazz riffs on his latest release, Mind Over Matter.   Through his illustrious career, Najee has shared with some of the best players in the urban world, and a very profitable partnership with his guitarist/producer brother, Fareed.  Thanks to his mother, jazz was a steady diet in their household in both Najee and Fareed's childhood.

His mother also encouraged a healthy dose of jazz in his musical diet as she played recordings ranging from Duke Ellington to Miles Davis.  Najee and Fareed listened intently to these jazz legends that eventually fueled their long-standing musical partnership that started when they were teenagers as music students and professional musicians.  Najee had plenty of big name mentors teaching him about big band jazz including The Heath Brothers saxophonist Jimmy Heath and pianist Dr. Billy Taylor.  His big band training continued at The New England Conservatory Music under the tutelage of veteran eclectic jazz artist Jaki Byard and others.   What started the musical wheels fully spinning was a local jazz mobile in Harlem, New York that perked Najee's interest in studying the full spectrum of jazz music even while he was digging the urban grooves on the side: "I was mainly into Kool & The Gang and James Brown."   

In the post-NECM days, Najee and Fareed was playing jazz in the New York City area when Najee got the call, followed later by Fareed, to back R&B superstar Chaka Khan in 1983.  Eventually a connection was made through one of Khan's backing vocalists which lead to Najee signing on the dotted line for a long relationship with the EMI/Capital Records family.  His popularity with urban audiences has remained steady since releasing Najee's Theme, and he has been honored with many top rankings on the Billboard charts for contemporary jazz, R&B/hip-hop and the top 200 throughout his two-decade plus career.  Some of his hit singles through the nineties include "Tokyo Blue," "For The Love of You," "Sweet Love," "Knocks Me Off My Feet, "Noah's Ark and "All I Ever Ask."   Besides his solo efforts, Najee also unleashed some jazz fusion power, touched up with doses of Miles and (Charlie) Mingus on Clarke's 1994 Live At The Greek Theater super band session with Billy Cobham, Larry Carlton, and Deron Johnson, and has toured with successful vocalists in their own right: Freddie Jackson, Patti LaBelle and BeBe Winans to name a few.  However, there were two landmark moments with R&B icons that ignited Najee's career to further heights.  

The first was a contemporary jazz interpretation of Stevie Wonder's Songs In The Key of Life, considered by many critics as a step in the right direction from his previous glossier productions.  The 1995 release was anchored by a stellar supporting cast including Clarke, George Duke, & Paul Jackson Jr.  A few years later, he landed a three-year gig with a passionate fan of Najee's brand of R&B generated jazz: his royal purpleness Prince.  Najee was always able to relate in how the innovative guitarist/vocalist's constantly feeds off his audience: "I saw that he looks for fresh inspiration from other people and feeds off their energies."  In the meantime, Najee continues to manage his solo career including a series of projects in the millennium; the latest being Mind Over Matter.

From this ten-track release on Heads Up International, there are some memorable moments, especially when there a few unexpected twists: "Whenever I go into the studio, I try to make a record that is a little different from the last one."   "Love You A Lifetime" showcases his effectiveness with the saxophone and flute, complete with the laid-back funk lines that Najee excels with.   The title track thrives on co-writer Will Brock's dancing keyboard solo and Najee's simplistic but efficient improvising.  Besides leaning on up and mid-tempo pieces, Najee can pull off mellower moments without sounding hollow; case in point - the exquisite soundtrack-like painting of "The Journey" which was also completed in one take, a rare feat in the age of digital technology where re-do's and overdubbing are the norm.  "Moon Over Carolina" features R&B vocalist/instrumentalist Gary Taylor's understated voice which perfectly matches Najee's musical personality.  The ultimate highlight, though, belongs to "We Gone Ride", based off a horn arrangement by Roy Hargrove with modifications by fellow sax player Mike Partlett and producer/keyboardist Demonte Posey.  This hip-hop/blues/funk ride presents a different feel in a loose sense for both Najee and Eric Benet, an engaging vocal choice I might add. 

If I am really being honest, those unexpected surprises are the keys that make Mind Over Matter tick.  While Najee is a great musical technician with a knowledge of the R&B and jazz language, this project is his strongest work; especially compared to the Stevie Wonder tribute, the genuinely personal Morning Tenderness for Verve Records in 1998, or his solo spots on Live At The Greek.  That aside, Najee still masters that rhythm and jazz flair with a natural flow; always willing to creep out of the box to make the overall content interesting.  Recommended.

Peggy Oliver
The Urban Music Scene

Posted by Administration at 6/26/2009 10:52 AM | Add Comment

Our Review of the 31st Annual Playboy Jazz Festival 2009 | by Jerry Clark

31st Anniversary
Playboy Jazz Festival
Hollywood, CA
June 13-14, 2009

(We welcome back the travelin' man for T.U.M.S., Jerry "The Mouse": Clark, as he had a great time (And so did T. Hanna) at this years 31st annual Playboy Jazz Festival! Here's Jerry's take on the event! All photos courtesy of Jerry Clark)

Just think 31 years ago Hugh Hefner's idea to put on this amazing festival would evolve into the great event that it has. The festival is filled with America's great Jazz contribution to the world of music but let's not forget the Blues, Latin, Zydeco and World music that has also become a festival trademark. When the first act enters from the revolving stage it becomes a non stop party.
Day One:
Each year the festival reminds the jazz enthused crowd where the music baton has been passed. The opening act the youthful Los Angeles County High School for the Arts performed under the direction of Jason Goldman. Performing within the jazz orchestra is our future festival artists. We must remember to support music and the arts in our schools.
What a way to fire up a crowd by having Mardi Gras in June with the New Birth Brass Band. This Big Easy band had the crowd shaking their tail feathers, waving the white handkerchiefs and catching beads. New Birth Brass proved to be the medicine needed to kick off the afternoon.


Directing the third act Cos of Good Music is the Master of Ceremonies Bill Cosby.This is year twelve that Cosby's group has graced the stage of the Playboy Jazz Festival. The All Star group of Dwayne Bruno, Ndugu Chancler, Luis Conte, Tanya Darby, Geoffrey Keezer and newcomer Anat Cohen superbly performed. Anat Cohen skillfully amazed the crowd with the clarinet and sax heightens the anticipation of her Sunday Quintet performance.


Talent, beautyand genius rolled into one package, that's Esperanza Spalding. The bassist fresh out of Berklee College of Music awed us with melodies andfunk from her sweet upright bass and vocals. My favorite selections "I Know You Know" and "Ponta De Areia" was height of my first experience. Look for more music from this jewel in future recordings.
I remember living in the South in the early 60's and tuning into the radio and listening to James Brown, Ike & Tina. My youthful listening to radio and attending concerts on the many soul revue circuits brought back many memories when Sharon Jones & the Dap-Kings graced the Playboy stage. A party exploded in Hollywood as Sharon belted out one song after another. Sharon and the Dap-Kings hadthe crowd in a stone cold funk as we danced and finger popped. This is an act that I will be waiting to see again.
We celebrated a milestone in the midday with Jimmy Cobb the one survivor of Miles Davis famous Kind of Blue sextet. This year marked the 50thanniversary of the release of the jazz standard "Kind of Blue". Jimmy Cobb formed a cast of today's jazz musicians to celebrate this famous event by performing the many great standards of this all time classic. Selections "So What", "All Blues" and "Blue in Green" rekindled memories of the old heads and mesmerized the youngsters. This was an historical experience to say least.
There are great musical genes in the Escovedo family. The energy tank is set on full when this family hits the stage. The Pete Escovedo Orchestra (Pete, Shelia, Peter Michael, Juan and a host of others) mixed it upwith blend of salsa, jazz and soul which brought excitement to the lateafternoon spectators. Bravo!!!
The festival would not have been complete without a tribute to the late Wayman Tisdale. Norman Brown's Summer Storm honored Wayman with a stellar performance fit for a king. The package consisted of Norman Brown, Phil Perry, Eric Darius and Gail Johnson performing many selections from their current cd's. Wayman must have been pleased!
Wrapping up day one is The Neville Brothers. At each Playboy Jazz Festival the final act of the day is a send off to prepare you for the next day. To describe the set is Fat Tuesday on Saturday in LA. Yes, that sounds like a party and a party it was. Songs like "Fiyo on the Bayou" and "Yellow Moon" set off the joyous crowd dancing and waving their hankies.

Got to get some rest day two Sunday!

Day Two:

Sunny and in the low 80's day two started with a talented youthful group of high school jazz enthusiast. The North Hollywood High School Jazz Ensemble under the direction of Jonathan Kenion entertained the fans asthey were settling in for the amazing Sunday lineup. Again I must stress to importance to support music and the arts in our schools. Both youth groups performing over the weekend are keeping jazz music alive.
Anat Cohen member of the Cos of Good Music showcased the Anat Cohen Quartet.The gifted clarinet and saxophonist dazzled us with a mixture of Afro Cuban, straight ahead and Brazilian. The audience was very receptive of her creative style and welcomed her with open arms. I would like to see Anat perform in a small setting and witness more of her unique style.

Next debuting on stage Quincy Jones presents Alfredo Rodriguez. Alfredo the Cuban born pianist is definitely on the move. He captured the eye on anon looking Herbie Hancock watching from the side of the stage. This skillful young man has a Tatum/Monk style of performing. The jazz community has another youngster that will keep the movement progressing.

Veteran Wayne Shorter followed in the true spirit his four decades of his masterful career. Wayne's energy in performing and writing is second to none. His unique brand of saxophone compliments the likes of Joe Zawinul, Herbie Hancock and Freddie Hubbard. Wayne brings out the bestin the musicians that performs with him. On the ticket with Wayne -Brian Blade (drums), John Pattucci (bass) and Danilo Perez (piano): all heavy hitters.
Patti Austin electrifying performance rocked the house from "Razzamatazz" to "The Heat of Heat". Patti's performance is a feel good rollercoaster ride; you are dancing minute and the next you are holding on to your sweetheart. Patti is truly a great voice in today's music.

Representing World Music is King Sunny Ade dynamic African guitar. Returning to the Playboy stage the crowd knew the party was about to start. The sounds, colors and the movements in this performance lighten up the senses.This group is always a favorite in the Bowl.
My first year attending the Playboy Jazz Festival was in 1986. That year Kenny G performance received an up roaring applause during his grand entrance. Twenty three years later the same, I thought I was having flashbacks. In the spirit of Kenny you get the Smooth Jazz package; "Songbird", "Don't Make Me Wait For Love" and "Silhouette". Kenny's commanding performance will always be a Playboy Jazz Festival favorite.
Wrapping up day two is Oscar Hernandez & the Salsa All Stars. What a way to end the party with a taste of salsa. The 2009 festival is over but 2010 is right around the corner.

Thank you Playboy staff for arranging the wonderful festival.

CU next year!
Jerry"The Mouse" Clark
Mellow Madness Music
www.mellowmadness.net

The Urban Music Scene

Posted by Administration at 6/25/2009 2:06 PM | Add Comment

OO Soul | Till The Lights Come Up


In the tradition of the Fanatic’s and The Perceptions, this group out of California is throwing down a bass driving funk that will rival any funk band. Though their earlier cd’s were more instrumental, this new project welcomes warm vocals to the mix. This group boasts the finest that funk has to offer, other than knowing that this group is keeping the funk alive.

The Group I am referring to is “OO SOUL” and their latest effort is called “Till The Lights Come Up”. If you are into that seventies type of funk, well here it is. From the funky “Testify” to the ultra funky “Funky Buddha”, this cd should not disappoint.

"Till The Lights Come Up" should get every party started, and not stop 'Till the lights come up' or the sun, if you know what I mean.

What I like about this cd is that the members are playing real instruments. Yes instruments! No Electronic beats etc,etc,etc, which give this cd a real full earthy sound.

Track listing for this funkafied cd:

1.      Testify

2.      Clap yo hands

3.      Till the lights come up

4.      Cuba libre

5.      Sometimes

6.      Blood and sand

7.      Funky Buddha

8.      Dirty lowdown

9.      People of earth

10.     Bread basket (live at the foothill).

Make sure you get this cd, to definitely get your party on

You can find the cd at www.cdbaby.com, www.amazon.com, www.dustygroove.com

Here’s a video of OO Soul doing Dirty Lowdown!


Marv D

The Urban Music Scene

Posted by Administration at 6/22/2009 6:15 AM | Add Comment

Alex Nester | Rattle The Walls


Even though Teena Marie still rules the charts, as being what we consider respectfully the lady of “Blue Eyed Soul”, and she has made her mark in the R&B world....There are countless other that are trying to get to that coveted spot.  Alex Nester poses a severe threat to the entire genre that is trying to make it to the top. Alex’s newest effort “Rattle The Walls” does exactly that with this gospel, rock, r&b, funk cd. Alex has all the bases covered, especially with the a-list musicians she has incorporated: From Alphonse Mouzon, Eric Marienthal, Brandon Fields, & Zoro, to the last track featuring the Motown Legends -The Four Tops.

Singing professionally since the age of nine, her resume already includes 12 albums, countless jingles, and over 25 theatrical productions, as well as working with top musicians.

The album starts off with a Gospel styled song call “Unique” and continues throughout with different styles of music. Track 8, “Sir Stevie” is a funk infused production dedicated to the legend himself -Stevie Wonder.

The last track of the amazing cd is the Motown Classic “Can’t Help Myself”, featuring the Four Tops, and it’s a beautiful version.

Here is the track listing for Alex Nester’s "Rattle the Walls":

1.      Unique
2.      Key Of Truth
3.      Darkness Into Light
4.      Been Through It All
5.      Sister, Can You Help Me
6.      Thank You (To All My Friends)
7.      For Life
8.      Sir Stevie
9.      Impossible
10.     Beggin
11.     I Love You More Than You’ll Ever Know
12.     Smile
13.     Believe It Or Not
14.     The Music In My Life
15.     Can’t Help Myself f/ The Four Tops

The voice of a true singer is here on the project and has the power of Aretha Franklin, the compassion of  Anita baker, and the fire....and I mean.... fire of Chaka Khan, all rolled into one awesome package!

You can find Alex Nester’s cd at www.cdbaby.com, www.amazon.com

Here a video of Alex Nester singing “Impossible”!!

Marv D
The Urban Music Scene

Available now at CDBaby!!

Posted by Administration at 6/19/2009 12:31 PM | View Comments (1) | Add Comment

Independent Soul Divas - Various Artists | Independence Day



When I first saw this cd in the store, I thought VH1 released some un-released tracks from their 'Diva' concerts and I didn’t pay it any mind. Then one day I was scrounging around on the internet, and ran across this track, that was slamming. Later on I found out it was from the “Independent Soul Divas” project, a collection of neo-soul, soulful house, and R&B songs.

Most of the artists on this cd, have had singles out, so it is good they all came together for this special project. It's anchored by two veterans: respectfully they are Rena Scott, who's professional debut at the tender age of 13, when she opened for the Temptations and other Motown acts, and she rose to fame when she sang a duet with Michael Henderson on the song “Take Me I’m Yours” in which Cherrelle did backing vocals. The other veteran is Kelli Sae, who have traveled the world with acclaimed bands like Incognito & Count Basic, and in addition to that, she has two successful albums out.

This cd is loaded with jams! From the mellow groove by Maya Neiada called “I Need A Moment” to the Tiny Lou cover of Crystal waters “Gypsy Woman”, and to the smooth grooving “Feel The Love” by ex-Hidden Beach recording artist Lina.

'Independent Soul Divas' has a lot to offer. So please make sure you pick this up. It's a great saturday evening chill out music collection to listen to.

By the way, Here’s a video of Lina singing “Feel The Love” live in Atlanta!!

Marv D.
The Urban Music Scene

Available now at CDBaby!

Posted by Administration at 6/19/2009 8:17 AM | Add Comment
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