Charles Martin | Mary's Son



Charles Martin | Mary’s Son
By Peggy Oliver
 
Detroit is an urban music hotbed; from the sweet soul of Motown to contemporary gospel. The list of gospel pioneers is very impressive indeed including: The Clark Sisters & Mattie Moss Clark, The Winans, Reverend C.L. & Aretha Franklin, Vanessa Bell Armstrong, Thomas Whitfield and Deitrick Haddon. Since the mid nineties, Haddon elevated and reshaped contemporary gospel music with his classic soul, edgy R&B and hard hitting praise and worship thru the vocal group Voices of Unity (VOU). Taking many cues from Haddon, VOU member Charles Martin weaves those same elements on his debut, Mary’s Son. Though he has spent more time in a background vocalist capacity (VOU, Radical for Christ) and in theatrical productions (Black Nativity), Martin won the hearts of audiences in solo appearances on Bobby Jones Gospel TV show. His warm voice, certainly the antithesis of Haddon’s gritty and charismatic style, holds his own for the most part by nicely textured production from Rachard ‘Chardyroc’ Williams.


 
Martin's inspiration for entitling Mary's Son was inspired not only for the mother of Jesus, but for his birth mother who shares the same name. The rousing “This Joy” and “Thank You” has that bouncy Haddon praise style. On the latter piece, Yolanda Harris-Stover’s riveting voice injects a soulful punch. Martin also handles the intimate worship moments with grace and strength including “Have Your Way,” “Back to You,” the first single “Secret Place” and “Faithful (I Believe).” “My Everything” should successfully cater to the urban and pop gospel audiences.  
 
If there were any setbacks on Mary’s Son, it would be the electronically enhanced background voices that cloud over Martin’s on various tracks. Otherwise, Mary’s Son is worthy of Martin’s testimony with Jesus and adds another legacy to Detroit’s already rich gospel history.
 
Peggy Oliver
The Urban Music Scene

 

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