Tony Adamo | What Is Hip?



Album Review: Tony Adamo | What is Hip? 
by Brent Faulkner

Listen to song samples from "What Is Hip?'', exclusively from Amazon on our R&B/Soul Page by clicking here!!


Covers albums are the least likely to garner strong, universal critical support.  The artistry of making something classic  'new' or matching the level of the original is often a gargantuan, sometimes impossible task. Tony Adamo takes on this battle on his 2011 effort, What is Hip?.  Tony Adamo's What is Hip? consists mostly of  covers doctored up with horns, a taste of soul, and jazz affections. Overall, the album proves to be enjoyable, though rarely 'revolutionary' per say. When Adamo takes risks and achieves more than a 'breezy' vocal performance (achieves vocal grit and assertive nuances), that is when What is Hip? really catches fire.  While the covers never eclipse the original, Adamo has some signature moments on What is Hip?

"Cold Duck Time (Get Your Groove on Line)" is a solid opener, featuring organ, horns (most notably a killer sax solo), and background vocals as Adamo's supporting cast.  This smart instrumentation proves to be a mainstay throughout this effort, often making up for the subtleties of Adamo's vocals at times. Adamo sounds solid, though "Cold Duck Time" lacks a bit of extra vocal punch. "Rhythm of Your Love" features a fantastic groove from the musicians which Adamo manipulates to his advantage. Again, the musical prowess by the supporting cast create a sound backdrop for Adamo vocally.



"Make Me a Memory" is one of the album's best covers, recreating the smooth jazz classic superbly and justly. Here, Adamo's subtle vocal performance fits the smooth jazz vein perfectly. "What is Hip?" is treated like a Gil Scott Heron cut, and works extremely well. The background vocal arrangement is splendid, with Adamo stealing the show more for his spoken word artistry than his sung vocals. "Ecstasy" is solid and marks the first time of the album where Adamo achieves some much longed for vocal grit - a real 'treat.' Despite this feat, it is an adventurous take on the Beatles's classic "Eleanor Rigby" that garners top honors for the album's best cut.  The repetitive chanting of the line "all the lonely people..." proves to be a nice touch. 

"Rio De Janerio Blue" continues the momentum established by "Eleanor Rigby" without eclipsing its grandeur. The uptempo take on the Temptations's classic "The Way You Do the Things You Do" is genius, featuring a superb saxophone solo accompanied by swirling organ and horns. Sure, Adamo may not necessarily rival the vocal prowess the Tempations established on this soul standard (who could?),  but he sells it well with his jazzy adaptation and no frills approach.

"Love Don't Get" lays well, while "Calling" is ok though not revolutionary by any means. "Nine Miles of Blue" redirects any laxness, featuring a superbly performed organ solo. "Mystery" is similar to many other cuts, which makes it less distinctive, while closing cut "This Time It's Real" (another Tower of Power cover) ends the album strongly intact with horn section and organ. 

Overall, What is Hip? is enjoyable, but sometimes lacks 'pizazz.'  Adamo shines most when taking more vocal risks, which might be the biggest criticism of this effort.  Nonetheless, Tony Adamo has assembled a solid set of covers (and a couple of originals) that does enough to satisfy. 

Brent Faulkner
The Urban Music Scene

 

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